Whitman grew into almost a legendary figure, due largely to the charm and magnetism of his personality. Contemporary critics described him as a "modern Christ." His face was called "serene, proud, cheerful, florid, grave; the features, massive and handsome, with firm blue eyes." His head was described as "magestic, large, Homeric, and set upon his strong shoulders with the grandeur of ancient sculpture." These descriptions tend to make Whitman appear almost a mythical personage. But he was very much alive. 

  Whitman was a being of paradoxes. His dual nature, a profound spirituality combined with an equally profound animality, puzzled even his admirers. John A. Symonds, an English writer, was puzzled by undercurrents of emotional and sexual abnormality in the Calamus poems and questioned Whitman on this issue. Whitman's reply (August 19, 1890) is interesting: "My life, young manhood, mid-age, times South, etc., have been jolly bodily, and doubtless open to criticism. Though unmarried I have had six children — two are dead — one living Southern grand child — fine boy, writes to me occasionally — circumstances . . . have separated me from intimate relations." But no trace of any children of Whitman's has been found, and it is not unlikely that he merely invented them to stave off further questions. 

 Whitman was truly a representative of his age and reflected its varied crosscurrents. His poetry shows the impact of the romantic idealism which reached its zenith in the years before the Civil War and also shows something of the scientific realism which dominated the literary scene after 1865. Whitman harmonizes this romanticism and realism to achieve a true representation of the spirit of America. The growth of science and technology in his time affected Whitman deeply, and he responded positively to the idea of progress and evolution. American patriotism in the nineteenth century projected the idea of history in relation to cosmic philosophy: it was thought that change and progress form part of God's design. The historical process of America's great growth was therefore part of the divine design, and social and scientific developments were outward facets of real spiritual progress. Whitman shared in this idea of mystic evolution. Leaves of Grass symbolizes the fulfillment of American romanticism as well as of the sense of realistic revolt against it. 

  Whitman visualized the role of a poet as a seer, as a prophetic genius who could perceive and interpret his own times and also see

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